Vine-and-lacquer leather pillow

Wood · rattan · leather · lacquer

Vine-and-Lacquer Leather Pillow

A usable object in which four fields of handwork meet inside one flexible lacquered structure.

Four crafts, one object

An old fir frame establishes a light, stable structure. Rattan is woven around it for resilience and ventilation. Cowhide is fitted and stitched over the woven body. A clear lacquer mixture made with raw lacquer and cooked tung oil is then applied in repeated cycles.

The complete process normally takes two to three months. The result preserves a kind of flexibility that is uncommon in lacquerware: the rattan and leather continue to give under use while the lacquered surface remains integral.

Old fir frame used inside the pillow
Wood frame
Rattan weaving around the pillow frame
Rattan weaving
Leatherwork over the woven pillow body
Leatherwork
Lacquer work on the leather pillow surface
Lacquer work

Two scales and three colours

The High Pillow, No Worries version measures 35 × 13 × 9 cm. A smaller version, Lineage Continued, measures 19 × 9 × 5 cm and takes its scale from the portable pulse pillow used in Chinese medicine.

High Pillow, No Worries series
High Pillow, No Worries
Lineage Continued small pillow series
Lineage Continued
Red vine-and-lacquer leather pillow
Red
Dark brown vine-and-lacquer leather pillow
Dark brown
Warm white vine-and-lacquer leather pillow
Warm white

Living with the object

The Chinese page also documents positioning, adjustment and cleaning as part of the object’s daily use.

Recommended position for using the pillow
Positioning the pillow
Comparison of pillow positions in use
Comparing positions
Adjusting and repairing the flexible pillow surface
Adjustment and repair
Cleaning and routine care of the pillow
Cleaning and routine care
The pillow with its paulownia presentation box
Paulownia presentation box

Lineage in the work

The Chinese page records both Liu Ercheng and He Wei alongside this object. Liu inherited the family craft and worked through the state-owned factory period; He studied with Liu and later continued the practice through Fugong Leathercraft Workshop.

Liu Ercheng
Liu Ercheng
He Wei
He Wei